“An Eastern European Ridley Scott… the commentary that is cultural of oeuvre is universalist… their future is our now.” – Ela Bittencourt
“The Polish ‘cinema of anxiety’ soars from this globe when you look at the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal
Film at Lincoln Center is very happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s most revolutionary filmmakers, September 6-8.
A manager, screenwriter, novelist, theatrical manager, and painter, Piotr Szulkin frequently encountered censorship through the Polish Communist regime for the late ’70s and early ’80s for their unabashedly governmental works. Szulkin’s profoundly imaginative movies can be looked at as existential tales, absurdist parables, or premonitions about contemporary society’s hostility while the evils of totalitarianism. Drawing from 20th-century philosophy and Polish medieval literary works through speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to generate shockingly iconoclastic technology fiction films. Called “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies which were hardly ever seen away from their indigenous Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the present worldwide climate that is political.
Among the biggest retrospectives of their strive up to now, Sci-Fi Visionary: Piotr Szulkin offers an array of brand brand new restorations that are digital brought in film prints. The show showcases most of Szulkin’s features, including their audacious cult classic Golem , usually considered a precursor to Blade Runner ; The War regarding the Worlds: Next Century, a reimagining of this H.G. Wells novel plus an indictment of mass media’s influence on civilians; O-Bi, O-Ba: the termination of Civilization , which follows the rest of the survivors of the nuclear apocalypse because they await a mythical Ark to save lots of them from their serious situation; Szulkin’s exploration of feminine sex into the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship while he is delivered for a objective up to a authorities state hell earth; and Szulkin’s last movie, King Ubu , in line with the 19th-century Albert Jarry play, a brutal commentary on modern Poland when you look at the aftermath regarding the Communism Szulkin criticized throughout their job. Furthermore, the retrospective will emphasize Szulkin’s quick film work, such as the folklore-inspired morality play Dziewce z ciortem and also the documentary Working Women .
Presented in collaboration utilizing the Polish Cultural Institute nyc.
Arranged by Florence Almozini and Tyler Wilson.
Tickets carry on sale Thursday, August 15 and are also $15; $12 for pupils, seniors (62+), and persons with disabilities; and ten dollars for movie at Lincoln Center people. Save because of the purchase of three seats or even more.
Acknowledgments: Polish Cultural Institute Nyc; Daniel Bird
FILMS & DESCRIPTIONS All screenings occur at the Walter Reade Theater (165 West 65th Street) unless otherwise noted.
Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a long company trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey searching for intimate satisfaction, leading her into increasingly deranged, sinister realms as memories from fever-dream seductions to her childhood mingle. Equal components coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of the lusty Joseph Stalin to a set of shockingly randy puppets—as it savages faith, their state, therefore the concept of the family that is nuclear.
Preceded by: New electronic renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework price, this very very early documentary miniature from Szulkin illustrates six sequences of solitary, repetitious work. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm
Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic dystopian satire. In the next where life in the world has grown to become therefore wonderful that only prisoners are employed for the high-risk company of area research, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is delivered on an apparently condemned objective to a planet that is uncharted. Upon their arrival, he discovers some sort of curiously such as a dilapidated, postapocalyptic world, where he’s welcomed by the population being a “hero,” an ignominious honor, he soon learns, that is included with a many fate that is barbaric. Using the film’s title that is appropriately nonsensical the babble of his infant child, Szulkin provides a bleakly acerbic commentary from the absurdity of life in a authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm
Brand brand New restoration that is digital Poland, 1980, 92m Polish with English subtitles in a few dystopian future, researchers make an effort to produce a fresh, flexible battle of humans. a apparently ordinary item for the work, the genetically engineered Pernat (Marek Walczewski) is subject to round-the-clock monitoring as he goes about his life amidst drab Soviet bloc architecture. Szulkin’s feature that is bold, styled in sepia tones and dramatic illumination, happens to be called a precursor to Blade Runner , but its name additionally appears returning to a more ancient misconception of creation and morality.
Preceded by: brand brand New electronic restoration The Gal therefore the Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play in regards to a sinful woman’s encounter with all the devil, set to your Polish ballad of the identical title and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm
New restoration that meet hot mail order ukrainian brides is digital Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere predicated on Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s last movie is definitely a crazy, carnivalesque commentary on post-Communist Poland for which drunken degenerate Ubu (Jan Peszek) seizes control of the monarchy in a supposedly “democratic” takeover (their signature policy: universal free alcohol) simply to institute his or her own absurdist, tragicomic reign of terror. Upgrading Jarry’s iconoclastic eyesight with a brand new dosage of dark, post-Soviet cynicism, King Ubu can be an incendiary summative statement from a musician whom devoted their profession to lobbing grenades at the equipment of totalitarian governmental corruption. Sunday, September 8, 6:00pm
Brand brand brand New digital renovation O-Bi, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What stays of mankind post–nuclear apocalypse is restricted to a squalid underground bunker where survivors toil desperately to uphold the very last vestiges of civilization. These are typically spurred in by their fervent belief in a fabled Ark that may deliver them from their residing hell—a misconception propagated by the powers that be, and distribute, in component, because of the increasingly disillusioned smooth (Jerzy Stuhr) as he attempts to push away collapse that is total. Involved in an expressionistically grimy, grey- and blue-toned palette, Szulkin crafts a shattering existential parable concerning the false promises of politics and faith that plays down like a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm
Brand brand New electronic renovation The War associated with the Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles specialized in both H. G. Wells and Orson Welles, Szulkin’s followup to Golem starts because of the Christmastime takeover of Poland by a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless tv newscaster Iron Idem (Roman Wilhelmi) once the vocals of these 1984 -esque propaganda device. Nevertheless when Iron dares to set off message, he makes an enemy also higher than the aliens: the continuing state it self. Released in the same way Poland was being plunged into martial legislation and straight away prohibited, The War associated with the Worlds: Next Century is really a disturbingly prescient allegory of energy, control, and news manipulation in a world that is post-truth. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm